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A New York Times and Guardian US columnist, her punchy authority is in contrast to what she describes. But most important, in the context of this book, writing is weightlessness. Writing can be escapist and can be an opiate (it has been both for Gay, although neither here). Reading the book is to witness the gap between the conscious mind and the unconscious body – in combat for years. As a writer, she can rise above her body and the humiliations of the flesh. Throughout the book, two selves exist in tandem: Gay as writer and as a woman living her life. Fatness was home in a game of chase: “a place where no one can get you”. The fatter her body became, the safer she felt. She makes it persuasively plain that fatness began as a response to rape. And although Gay regrets she is unable to go as far as the campaigners who rejoice in their size, she does want us to rethink what fatness can mean.įor Gay, overeating was, for a while, her solution. The book is an attempt to see fat in its complexity, its contrariness – as potentially more than a physical problem to be overcome. Yet this is no attention-seeking misery memoir.
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“They were boys who were not yet men but knew, already, how to do the damage of men.” One reads about the unthinkable abuse she suffered – the boy holding her wrists and spitting in her face after raping her is a particularly upsetting detail – and feels as shaken as if one were directly witnessing what she describes. She drags her account on to the page – faltering, incomplete, unsensational.
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They were in an abandoned hunting cabin in the woods in Omaha, Nebraska, where no one but the boys could hear her screams. “That something terrible broke me.” Aged 12, she was gang-raped by “a boy I thought I loved, and a group of his friends”. “Something terrible happened,” she writes. Terrible to think of a 12-year-old child willing herself to go on as though nothing had happened A personal story, with implications for us all. We should not take up space.” But her book is a bid to take up space in another sense, to tell a story that wants to shrink into invisibility yet needs to be told. She remarks with devastating simplicity: “This is what most girls are taught – that we should be slender and small. To some extent, she is on the side of Susie Orbach. She does not duck from telling us, early on, that at 6ft 3in tall, she weighed, at her heaviest, 577 pounds: “That is a staggering number, one I hardly believe, but at one point, that was the truth of my body.” She does – and does not – know, she says, how things got so out of hand. Hunger tells a story that must have been as hard to write as it is disturbing to read. Gay’s last book, Bad Feminist, became a New York Times bestseller and revealed her to be a writer unfazed by inconvenient truths and a champion of women – especially gay and black women. Roxane Gay read from ‘Hunger – A Memoir of (My) Body’ (2017) at the Louisiana Literature festival at the Louisiana Museum of Modern Art in Humlebæk, Denmark in August 2019.F at is more than a feminist issue – as this extraordinary memoir by novelist and essayist Roxane Gay reveals. She is the recipient of several prestigious awards including two 2018 Lambda Literary Awards – the Trustee Award and for Bisexual Nonfiction (‘Hunger’). Moreover, Gay is a contributing opinion writer for the New York Times, and her writing has appeared in Time, The Los Angeles Times, The Rumpus and Tin House, among others. She is also the author of ‘World of Wakanda’ (2016) for Marvel. She is the author of several books including ‘Ayiti’ (2011), ‘An Untamed State’ (2014), ‘Bad Feminist’ (2014), ‘Difficult Women’ (2017), and ‘Hunger –Ī Memoir of (My) Body’ (2017) in which she uses her own emotional and psychological struggles as a means of exploring our shared anxieties over pleasure, consumption, appearance, and health. She then proceeds to read two chapters from ‘Hunger – A Memoir of (My) Body’ – one about her hatred of exercise, and the other about googling and finding one of the men, who raped her, when she was only 12 years old.
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Roxane Gay begins by reading a humorous piece about the legendary American television personality Mister Rogers (Fred Rogers, 1928-2003). And so I wrote a book called ‘Hunger’, about what it means to live in a fat body in a world that is not at all hospitable to fat bodies.” Enjoy this video with the acclaimed American writer Roxane Gay, who gives a compelling reading from her New York Times bestselling memoir. “I’ve always found that the things I find the most intimidating end up being the most intellectually satisfying.